Furnished
with the smoky alto
tessitura,
timbre of the viol –
burnished
by its ancient shadow
and
inviolable mystery –
and
yet the instrument that
Mozart
chose to play in a quartet;
intimate
with human dissonance
and
syncopation – pressed
against
the beat – the bleat
and
pull – caress, distress –
the
beckoning ambivalence
of
hemiola: the soul of a viola.
.
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