Expatiating
on whatever comes
from all the
beats and thrums
of that
plucked instrument
we might as well describe as “mind” –
we might as well describe as “mind” –
catching fleeting
aims in aimlessness –
attaching
names, imagining
what kind of specificities
we’d like
to find, and
finding them;
the
usefulness of pause –
the forceful clause
commencing
with ahem – attempts at a relation:
the
strangeness of a conversation.
.
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