like half-hidden faces,
take emotions through
so many
internecine byways
that we can’t
see sidewayshalf the time. But what
we can see
turns out not to be
exactly
unlike what the visualequivalent must be of rhyme.
Things chime
and jibe and jive
and fascinate
with assonance
and we
emerge from
sleep to wakefulness
to sleep as
if we hadn’t
clawed up all
the steep strange range of cliffs
we’ve
climbed. Like
I said, it as
if we’verhymed.
.
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