I've got two poets in my heart & often in my back
pocket - they're enough for me. Auden & Emily Dickinson. Found this poem I wrote about
Auden - did it long enough ago that I have no memory of it. but I don't
entirely dislike it. It comes from back when I apparently had poetic ambitions.
Don't have those anymore, thank heavens.
================
The sense of danger must not disappear:
The way is certainly both short and steep,
However gradual it looks from here;
Look if you like, but you will have to leap.
W.H. Auden, from Leap Before You Look
================
Smoke
Constant cigarettes, amphetamines: conniving
courtesan of clarity - Puritan and bawdy - fine
and tender British mess: this Wystan Auden!
Countless lines on face and page all freeze with
rage for getting living right - besieging, luring,
curing you like vapors in the night. Shameless
lilting meter, breathing end-rhymes, fleet command
of sonnet and sestina: he played English as
he might have doodled Bach on some loved
concertina, caring little for his fame - but loving
naming landscapes grim as dying, full of wrecked
machinery: obstreperous and kind, he recognized
the flying scenery of human minds, and changed
his every day. I pray I shall not ever praise a sound
for merely being pretty nor mistake a thought for
facile quip - I implore whatever gods induce
the urge to write that I not bore them with one whit
less than my core. If I do, please choke me with
the ghost of Wystan Auden's cigarette smoke
curling and entwining from his cool unyielding lip.
=================
================
The sense of danger must not disappear:
The way is certainly both short and steep,
However gradual it looks from here;
Look if you like, but you will have to leap.
W.H. Auden, from Leap Before You Look
================
Smoke
Constant cigarettes, amphetamines: conniving
courtesan of clarity - Puritan and bawdy - fine
and tender British mess: this Wystan Auden!
Countless lines on face and page all freeze with
rage for getting living right - besieging, luring,
curing you like vapors in the night. Shameless
lilting meter, breathing end-rhymes, fleet command
of sonnet and sestina: he played English as
he might have doodled Bach on some loved
concertina, caring little for his fame - but loving
naming landscapes grim as dying, full of wrecked
machinery: obstreperous and kind, he recognized
the flying scenery of human minds, and changed
his every day. I pray I shall not ever praise a sound
for merely being pretty nor mistake a thought for
facile quip - I implore whatever gods induce
the urge to write that I not bore them with one whit
less than my core. If I do, please choke me with
the ghost of Wystan Auden's cigarette smoke
curling and entwining from his cool unyielding lip.
=================
.
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