Mid-February mirrors
human life the
bestof any time of year.
It hands itself the same
queer, sometimes
gelid,
sometimes melting,
ambiguities – the tepid
grays, the chilling whites –
which
constitute
the basis of
what each of us perceives
is going on. What is
going on? Three
witches
bumble through with explanations;
one of them is terrified
they might be
true.
Here we have the
Human Mind – and February –
tripping off in trinities
towards the Spring
with ties
that bind them
back to Winter. Which rhymes
with splinter which is what
we’re doing
every instant
we’re alive
and skirting hell. Mid-February does
this too, and well.
.
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