“Banana,” “Mint”
and “Lavender”
showcased in “Prussian
Blue” –
four monikers
on markers
lend four points-of-view
to hue.
But I must use
them ruthlessly --
defy that
prettiness:
be only
satisfied when they
suggest a psychic
mess
of facial ambiguities
which leave
an open door --
averse to any
labeling
that doesn’t promise more..
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