Since
she was convinced
imparting
sense by parsing out
the
lingua sacra of philology –
whose
adamantine simulacra –
surgically
sharp slices
of abstraction –
while
purporting to reveal
what
could be known and said,
in
fact were crushing
sense
till it was dead,
well
– she required
something
else instead.
And
so, like Ezra Pound
(though
who knew
why
he gave up sound),
she’d
give up words:
toss the weightless
turds
up in the air
and
watch them
not
go anywhere.
She
grew her yellow hair
as
long as it would grow,
and
daily combed it
to
a golden glow –
as
if she could find in its lyrical lines
the
signs of a sensual means
of
detecting the trembling tenet
she
so hoped was there –
like
the delicate pulse
of
a bird or an elf –
the
elsewhere she couldn’t
find
anywhere else.
.
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