Sound byte –
epigram – punch-line – quip – tactics
to distract me
from a necessary trip – each poem
that I've
written in the past few days is full of nervous
party tricks:
attempts to waylay me from listening
to one damned
note that plays inside my head
relentlessly:
bowed open G string – oh, the violin’s
audacity! –
Pandora’s box to me: every time I touch it
something odd
and terrifying wriggles up and out
of my
unconscious sea: jolts of memory compete,
contrast –
shame and ego – summon up my past.
No accounting
for the reasons – though they're surely
legion: took it
up when I was nine – still developing
a spine –
stumbled on vibrato onanistically at puberty –
promulgating
uses of my left hand surely not expected
by a music
faculty: chiefly pretext for my terror at
the opening of
doors to some unfathomable realm
to which I
couldn't grasp that I had access: what
‘success’
means, I don't know – in or out of playing
fiddle. My bow
would like to diddle – lengthen,
stiffen – me:
my violin wants sex. Music is complex.
.
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