The question’s not to be or not – hey, who’s that
man behind the curtain?
Does he dare to eat a peach? No, I’m certain we
reach into other regions
of – I want to say intention! – I wish there
were intention! – I wish that I
believed in guidance from a hand or from a holy
man or from the grandeur
of a Bach to Bach seduction, and it doesn’t
mean I don’t, that is, “believe”,
it’s just it doesn’t matter. Want to shatter into
bits? Believe in sociopathy.
Or cleave to opportunity instead, when you are rolling
out of bed and take
your shambles to the bathroom and regard the
thing that mirrors back
into your eyes as not-so-bad this morning come,
perhaps, to think.
Today your soul may come to drink from some new
just-discovered spring.
Let’s get practical about this drawing thing.
You say it’s random. Is it?
Is it like the physics in that quizzical imagined
business called mutation?
Stick a “random” on mutation: Darwin did,
Darwin thought he had to. Or is
questioning esthetic? Is there an impulse toward
the beautiful? When I got
my six buck sale-price plastic bag of Sharpies,
did it mean I wouldn’t start
my next perplexity emerging from the void? Mutation
can’t be random.
It starts from something proven, there, like
Steuben glass looked on a shelf
all lit up like a brain when you were ten, a class
trip to the city. It wasn’t pretty.
It was crucial. Rain’s not random: it’s solution.
Inevitable child of two
parental elements deciding that the temperature
is right not just, as always,
to collide but to collude in something so
salubrious it has the power to enact
a generating enterprise, to aid a thing to breed.
It changes need into creation.
Water is a dare. To eat a peach. To reach the man
behind the curtain.
To be or not to be a question. Somewhere there’s another test. And
To be or not to be a question. Somewhere there’s another test. And
.
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