Too
much work. Well, maybe it’s not work – that is,
the
thing that seems too much. But rather an anxiety
which stabs you as it paints your fate: anticipates
whatever’s coming up with dread – which all appears
by some necessity embedded in, dependent on,
which stabs you as it paints your fate: anticipates
whatever’s coming up with dread – which all appears
by some
performing “life” just so: a bunch of blowsy verbiage,
you know: a means of obfuscating that hot fear which
spears you: yes, you took the bait and
swallowed it –
now must adhere to its mandate which you will
follow till
your sad unpalatable end. Oh dear! – such dreary
and cliché theatrics at a time like this! And
all because
of one (you thought) unguarded kiss. Which,
like
the House of Usher, toppled all
your boulders and your
balustrades: made sure the vast uneasy
castle of you
fell. How well you know the reputation of large
older
single women in the city: the psychic walls
they are
supposed to hide behind because they aren’t
pretty –
well, your walls were breached, a man had
reached,
and kissed you. No one spoke. Like Sleeping
Beauty
you awoke. Then he left. Something
broke.
.
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