They’d
be very well paid, they were told, if they came out
arrayed
in Crayola. Five dollars and forty nine cents for a box
of
ten markers – about the same price as a single purveyor
of
classier ink that you get from the clique at Chartpak. They
were
promised a claque of adoring new fans and appearances at
all
the trendiest clubs on the planet, expensively framed in a swirl
of
acclaim, with the fame of Merle Oberon at her most famous.
Now
they’re here in immoderate glare on the wall of a men’s room
in back
of a stall in a bar no one goes to who doesn’t get drunk.
So far
they’ve achieved the response of a half-conscious stare
here
and there. But they’re not in a funk. They know they’re
supposed
to bemoan what they’ve done: sold their souls
to
Crayola for nada. But Holy Kenyatta, they love being cheap!
They’d
rather be shallow than deep. And they’re having great fun
posing elegantly like Faye Dunaway, making a run
of it anyway.
.
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