To animate the
premise and to draw the face of hate,
you must
upend the standard menace of a devil –
you must transcend
cliché conventions of a mask:
new eyes must
open wide, achieve another level
of attention.
Draw, draw more: push past Halloween:
convene with
breathing avatars of evil’s immobility.
At last you
find the eyes – whose mix of pain and pride
breed hate’s utility – and terrible belief in its
nobility.
.
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