Is there no escape?
Oh, there's plenty when we’re twenty
minutes old.
Escape is our gestalt, the
only game –
more freely full of more
than can be told
than when we learn
things have a name.
Then what used to gape
into the guileless
light shuts tight.
The strict intractability of
settled form
debars all flippancy or easy
possibility
of freeing fantasy: it cools
whatever’s warm.
We lose our bright
irascibility
when labels lasso sight.
That has to end up being
when,
as soon as sensual perception
gains a shape, becomes syllabically
defined,
succumbs to context and syntactical
subjection,
an essence drains out of the
mind.
There's no escaping then.
But beauty breeds as well in
aberration –
indeed may seek the confines of a word.
That you can see a thing
take wing
and later learn to label it
a bird
may prod a mellifluity of
lyric you might sing –
who knows? – to bring alluring lingual liberation.
.
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