Self-portraits
are surreal:
their function
is phantasmal –
they court chiaroscuro:
you, of
course, succumb.
You love to
lavish form
with shade: it
makes it
warm. And so you
weave
with it the
garment of a ghost –
which one day,
chastened,
you will
learn that this
pursuit of
self can’t not –
and often
terribly – invoke.
But now, the
more you press
gradations into
paper of your
pencil’s
understandings
of the
presences in shadow,
the more this
thing, pretending
it is you, convinces
you
it’s really
looking back.
Another view may
one day
peel off all
its insubstantiality –
and tally up
the lack.
But one blur in
it lingers.
The indistinctness
of the fingers –
whose amorphousness
now,
oddly, makes
you feel. As if
it bears
relation to the real.
.
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